Last night, after seeing three amazing shows in Paris, returned home exhausted and content and happy to post the beautiful things I saw at Maison Martin Margiela,Lanvin and Vivienne Westwood defiles.
BUT.
Guess what I’d done. I’d taken the wrong usb stick with me in Paris. Oh yes, clever or what.
So here i am today after some small electronic equipment shopping to post you how special and precise and unmistakeable the collection and the catwalk show of Margiela was.
two happy spectateurs
weather is getting hotter every day so what’s better than hot high waisted shorts? probably nothing. so hotly appropriate for the first weekends on the islands, too.
i love those hotties
D&G, Maison Martin Margiela and Celine leather hot pants and 3.1 Philip Lim sequins one.
it’s not the picture that’s blur, the print on these Maison Martin Margiela suede beauties is that of blurry flowers against a bright sky- feel the cool breeze of an April’s morning? something like that..
youstrikemyfancy reports for filep motwary
how gorgeous the ‘O’ collection of Maison Martin Margiela is, really.
Amongst his series of collections ‘O’ is the name of a very special one, Artisanal, based on the reworking of clothes and garments into something new. The house has been gathering old and new clothes and accessories from all over the world and these garments may be given a second life while respecting and maintaining the traces of the passage of time and use remains one of the keystones of the creative expression of the Maison.
Each piece is reworked entirely by hand in the atelier and the individuality of the materials used ensures that each one is as unique as the original pieces from which it was created.
two ball gowns from the 1950’s are horizontally re-shaped. the bustier of both are shifted, then sewn together to morph into a new bustier with a tulle train. A leather pants is perforated by hand. Empty dots are filled here and there with different kinds of recycled leather.
Dress:41 hours/ Pants: 34 hours
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double-face mirror plexiglas is gathered with big beads to create a garment structure opened in the back. A vintage strapless dress in shiny black sequins is worn underneath.
Hours: 14
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three cocktail dresses from the 1980’s are dismantled and gathered into an evening jacket. the first gown becomes an extra long sleeve. The second one hugs half of the bust to finish into a voluminous shoulder. The third one creates a ruffle sleeve. A pyjama pants is made of strings of black pearls.
Jacket: 45 hours/ Pants: 35 hours
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A vintage dress from the 1950’s made of lace, voile and tulle is shifted to become a one-sleeve body. The bustier and both straps of the dress are hugging the body while the full skirt is turned into a big sleeve of ruffles.
Hours: 29
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Recycled flowers made of black anthracite, grey and translucent small beads on a black stretch jersey catsuit.
Hours: 28
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A graphic cape is made of strings of hundreds of metal tubes. Ostrich feather boa scarves are going through this metal net.
Hours: 53
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A long ball gown is reworked upside-down into a mini dress. The bustier in taffetas becomes a pleated mini skirt. The petticoat becomes an asymmetrical draped top. The skirt in “plumetis” tulle becomes a veil. A cage-sleeve of velvet ribbon is embroidered with pearls, crystals and recycled jewels.
Dress: 37 hours/ Cage-sleeve: 18 hours
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a vintage beaded satin waistcoat is partially embroidered with pearls. it is worn with silk satin pants which front is entirely hand-embroidered to create the texture of a mother-of-pearl dégradé.
Hours: 65
Photo: Nathalie Sanchez, Paris
Gloire Carton- Monochrome